Anton: Could you please tell us your name?
Interviewee: Xu Jianjun
Anton: What is the company name?
Interviewee: Oriental Chinese Academy of Art
Anton: What position do you hold in the company?
Interviewee: Dean of the Academy of painting Xu Jianjun-"and the world of different moist" contemporary literati paintings.
Anton: How many employees do you have in the company?
Interviewee: 33 people
Anton: Which city is the company located in? What is the company address?
Interviewee: 9, West Lake Garden, Wu Yun Road, Hangzhou, Kowloon Creek
Anton: What year was the company founded? Is there anything worth saying about the development process?
Interviewee: January 13, 2012. There has been a long history of Chinese paintings not only Chinese and oriental art treasures but also a treasure trove of the world's art of a shining pearl. It is not only popular among Chinese and Orientals but also appreciated by Westerners. Compared with the proud western painting of the West Chinese paintings have their own profound connotation and distinctive national style.
Chinese painting is a comprehensive manifestation of the painter's multidisciplinary knowledge, self-restraint and moral sentiments. from which one can not only read the meaningful literature, the profound mystery of philosophy, the large history accumulation, natural and colorful meteorological changes and thousands of more in which one can see the painter's wisdom and true temperament. The Western painter and leading artist Picasso warmly praised China's paintings: "In this world is China." The magic of Chinese paintings is that nothing seems to be, but it contains everything. ”
In the thousands of years of painting history, the peak of the past, master men, each lead the coquettish. After the founding of the People's Republic of China, especially since the reform and opening up, Traditional Chinese painting ushered in another spring. Many courageous and talented painters widely absorbed Western painting practices. Both the inheritance of ancient law and the courage to innovate, greatly promoted the development of Chinese paintings. We value to commemorate the Chinese People's anti-Japanese war victory over the 70 th year anniversary of the anti-fascist world. We specially promote contemporary Chinese painting which is quite fruitful, and the wind is unique. Brilliant Chinese painter, Mr. Xu Jianjun. Xu Jianjun, Word Xu Zi, no. 9 Brook Wu Yun Shan Man, the contemporary literati painting school leader. He was born in 1962, Zhejiang Zhuji Chengguan A calligraphy family, and was Zhu Leopard Master's proud disciple who now resides in Beijing. Xu Jianjun specializes in calligraphy and painting, and the poetry of simplicity of beauty. Calligraphy advocates of post and Jin Shixue Fusion, combine good ink brushwork works and inherit scholar-literati Chinese paintings of fine traditions which are absorbing and inventive. His seal cutting force Chase Qin and Han, absorbs the north-south genre, India wind forceful boundless with strong block face and very modern. His comprehensive poems and paintings in theoretical research and creative practice take refined macros which form their own unique artistic style.
From the traditional freehand paintings we have a concept of the characteristics of literati paintings: the pursuit of artistic conception not confined by lattice law, not much ink, but also rich in change. Most poetry calligraphy and painting has seen the emergence of calligraphy so pay attention to a single Wang Wei's landscape, Su, Wen Zhu Shi, Fu Yun, son of the mountain, Liang Kai, Shi Ke of the stroke, Huang Gongwang, Ni Yunlin, such as the Dead wood bamboo stone, as well as the Ming and Qing literati paintings have these characteristics.
Qing Li Zhonghua "zhen yi Zhai Poetry": "good freehand, meaning move and its God to come to Italy and its God dark boundless, this tacit, to save the person." "Chinese flower and bird painting from the green Cane Bai Yang Line of the wind isthe generation has a newcomer, but really can have a distinctive mind and emotion." The "Italian movement" from the heart of the mind has a different "sense" of ordinary people and is unique to this "meaning" by the "meaning" drive pen line ink, upward on the paper and must not stop. This is the true state of freehand painting. Thus freehand flowers and birds have a high demand for creators, the simple amount of ink is not easy to lift. Pen and ink to the full validity of the "meaning" is related to the final success of the work so the skill of pen and ink is a very important requirement which is a necessary guarantee for the success of the creation. And the final request of the work is "God". "God" appears on the shape of the painted objects is second. It is important that the divine be detached from the form. The "God" of the object is in harmony with the author's "God".
Great freehand flower and bird, Bai Yang eight big hill, Yangzhou after the eight strange family, the late Qing Dynasty and the early people at sea, each has contributed. In the 20th century there are Wu Changshuo, Qi Baishi, Pan Tianshou that did freehand of flowers and birds. Then Wu and pan influenced the development of the flower and bird paintings in Zhejiang, and Qi is the center of Beijing as the Northern bird flower development plays a very important role. Xu Jianjun freehand flower and bird paintings by the teacher Zhu Baoqing are in pen and ink and the aesthetic meaning of the three different artists shows the obvious personal characteristics of the song of the Shaw scattered with the ink of the Jian Yuan characteristics. The success of Wu, Qi and Pan San family is related to their own calligraphy achievement. Wu Changshuo to Qin "shaped stone blocks" was a breakthrough, Qi Baishi attentively Weibei and Han tablet, Pan Tianshou more Pro write Oracle, Jin Wenhan
Xu Jianjun freehand Flower and bird inherited the predecessor’s quality of ink, but not the strict requirements of the ink itself highlighted, ink and the heart of the same, more in the Jian Yuan scattered in Shaw. Nowadays, freehand brushwork and bird study Wu, QI, pan three people and walked into the misunderstanding is to their ink characteristics exaggerated use, thought that a large freehand brushwork is the cloth Chen, and lack of ink intrinsic meaning rhyme. More painters think Freehand is casually "free" cheerfully ink, totally disregard the simple rate of freehand drawing under the inherent strict requirements. Xu Jianjun paintings with the meaning of high, intended to look outside, so that there is too much of the image, while the meaning of the love, affection, not unrestrained, and its own deep. Its pen and ink scattered so no delay turbidity, Jane away from the multifarious. No matter if flowers and insect birds have a kind of escape. This kind of escape is the inevitable manifestation of the people from the vulgar land. In the face of its paintings, a clumsy interest overflows on paper. Song Jiangkui said "carving wound qi, perfunctory explicit." If the vulgar and not exquisite, is carved out of the past; "Xu Jianjun's creation of the gravity of the direct current does not to seek Yue to cater to people, thus presenting an independent personality which is very valuable in the present."
His work style cold Jun Chaoyi is forceful, boundless, pen and ink dripping with Majestic, eclectic and its unruly. This wild uninhibited personality seen in the works have been deeply demonstrated. In his works, he can appreciate the new appearance of contemporary Chinese literati paintings.
In recent years, his artistic experience and calligraphy and painting, poetry, theoretical articles have been published in "People's Daily overseas edition", Human Life, Renmin Art Network, the Ministry of Culture "foreign cultural exchanges" magazine, "Art Newspaper" and many other media. The Central literature Publishing House selected "cultural power", "a generation of calligraphy and painting art masters", such as large album, 2012 won the Olympic Games in London Olympic commemorative gold medal. Also he was invited to the Russian Embassy on May 2015 to commemorate the World Anti-Fascist Victory 70 anniversary exhibition inscriptions By China Post in honor of the Chinese People's anti-japanese War and the World anti-fascist Victory 70 anniversary large stamp booklet and issued commemorative coins, postcards. At the invitation of the French Law Association, a roving exhibition will be made in France next year. Mr. Xu Jianjun Department of "cross-Strait cultural exchanges Ambassadors", is now the National Council for the jury of arts professionals, the Chinese Federation of Artists Beijing Creative Center Deputy Secretary General, Oriental China Painting Art Academy President, Jinghua Printing Society Director, is a German art bi-scented artist. Art has no borders, Chinese painting as a world art history of a shining pearl, is the common possession of human wealth.
Anton: Talk about why you are engaged in the present career, what's the story?
Interviewee: Chinese painting is a comprehensive manifestation of the painter's multidisciplinary knowledge, self-restraint and moral sentiments, which can not only be read to the meaningful literature, the profound mystery of philosophy, the thick accumulation of history, natural and colorful, meteorological changes thousands of, more can glimpse the painter's wisdom and true temperament. The Western painting, a leading artist Picasso warmly praised Chinese paintings: "In this world to talk about art, the first is China." The magic of Chinese paintings is that nothing seems to be, but it contains everything. ”
In the history of thousands of years of painting, the peak of the past, master men, each lead the coquettish. After the founding of the People's Republic of China, especially since the reform and opening up, Traditional Chinese painting ushered in another spring, many courageous, talented painter in-depth life, widely absorbed Western painting nutrition. Both the inheritance of ancient law and the courage to innovate, greatly promoted the development of Chinese paintings. Value to commemorate the Chinese People's anti-Japanese war victory over the 70 anniversary of the anti-fascist world, we special to promote the contemporary Chinese painting is quite fruitful, and the wind is unique, brilliant Chinese painter, Mr. Xu Jianjun.
Anton: Please tell us your company's development status and direction or goal?
Interviewee: Xu Jianjun, Word Xu Zi, no. 9 Brook Wu Yun Shan Man, the contemporary literati painting school leader. He was born in 1962, Zhejiang Zhuji chengguan A calligraphy family, is the hermit Zhu Leopard Master's proud disciple, now reside in Beijing. Xu Jianjun specializing in calligraphy and painting, the poetry of simplicity of beauty, sustenance lofty. Calligraphy on the advocate of post and Jin Shixue Fusion, good ink brushwork, works inherit scholar-literati Chinese paintings of fine traditions, absorbing, inventive. His seal cutting force Chase Qin and Han, absorb the north-south genre, India wind forceful boundless, block face than strong, very modern. His comprehensive poems and paintings, in the theoretical research and creative practice to take refined macros, formed their own unique artistic style.
Anton: What is your company's main product or service? What competitive advantage does it have in the marketplace?
Interviewee: From the traditional freehand paintings, so that we have a concept of the characteristics of literati paintings: the pursuit of artistic conception, not confined by the law of lattice, not much inking, but also rich in change, most poetry calligraphy and painting with the emergence of calligraphy, pay attention to a single, Wang Wei's landscape, Su, Wen Zhu Shi, Fu Yun, son of the mountain, Liang Kai, Shi Ke of the stroke, Huang Gongwang, Ni Yunlin, such as the Dead wood bamboo stone, as well as the Ming and Qing literati paintings have these characteristics.
Qing Li Zhonghua "zhen yi Zhai Poetry": "good freehand, meaning move and its God to come to, Italy, and its God dark boundless, this tacit, to save the person." "Chinese flower and bird painting from the green Cane Bai Yang Line of the wind, the generation has a newcomer, but really can have a distinctive mind and emotion." "Italian movement" from the heart of the mind, this one must have different "sense" of ordinary people can be unique to this "meaning", by the "meaning" drive pen line ink, on the upward of paper, must not be not, stop. This is the true state of freehand painting. So freehand flowers and birds have a high demand for creators, the simple rate of ink is not easy to lift. Pen and ink to the full validity of the "meaning" is related to the final success of the work, so the skill of pen and ink is a very important requirement, is the necessary guarantee for the success of the creation. And the final request of the work is "God", "God" appear on, then the shape of the painted objects is second, it is important to the divine, detached from the form. The "God" of the object is in harmony with the author's "God".
Great freehand flower and bird, Bai Yang eight big hill, Yangzhou after the eight strange family, the late Qing Dynasty and the early people at sea, each has contributed. 20th century there are Wu Changshuo, Qi Baishi, Pan Tianshou to freehand, Flower and bird name. Then Wu and pan influenced the development of the flower and bird paintings in Zhejiang, and Qi is the center of Beijing as the Northern bird flower development plays a very important role.
Xu Jianjun freehand flower and bird painting by the teacher Zhu Baoqing, in the pen and ink morphology and aesthetic meaning of the three different, showing the obvious personal characteristics of the song of the Shaw scattered with the ink of the Jian Yuan characteristics. The success of Wu, Qi and Pan San family is related to their own calligraphy achievement. Wu Changshuo to Qin "shapped stone blocks" as a breakthrough, Qi Baishi attentively Weibei and Han tablet, Pan Tianshou more than to write Oracle, Jin Wenhan tablet. All three to use a pen thick, resolute, concise as the overall characteristics, showing a large freehand flowers and birds of the situation and strength.
Xu Jianjun freehand Flower and bird inheritance predecessors for the quality of ink, but not the strict requirements of the ink itself highlighted, ink and the heart of the same, more in the Jian Yuan scattered in Shaw. Nowadays, freehand brushwork and bird study Wu, QI, pan three people and walked into the misunderstanding is to their ink characteristics exaggerated use, thought that a large freehand brushwork is the cloth Chen, and lack of ink intrinsic meaning rhyme. More painters think Freehand is casually "free" cheerfully ink, totally disregard the simple rate of freehand drawing under the inherent strict requirements.
Xu Jianjun paintings with the meaning of high, intended to elephant outside, so do not too much of the image of the Polish, while the meaning of the love, affection, not unrestrained, and its own deep. Its pen and ink scattered so no delay turbidity, Jane away from the multifarious. No matter flowers and insect birds have a kind of escape, this kind of escape is the inevitable manifestation of the people from the vulgar land. In the face of its paintings, a clumsy interest overflows on paper. Song Jiangkui said "carving wound qi, perfunctory explicit." If the vulgar and not exquisite, is carved out of the past; "Xu Jianjun's creation of the gravity of the direct current, not to seek Yue to cater to people, thus presenting an independent personality, which is very valuable in the present."
Xu Jianjun freehand Flower and bird inheritance predecessors for the quality of ink, but not the strict requirements of the ink itself highlighted, ink and the heart of the same, more in the Jian Yuan scattered in Shaw. Nowadays, freehand brushwork and bird study Wu, QI, pan three people and walked into the misunderstanding is to their ink characteristics exaggerated use, thought that a large freehand brushwork is the cloth Chen, and lack of ink intrinsic meaning rhyme. More painters think Freehand is casually "free" cheerfully ink, totally disregard the simple rate of freehand drawing under the inherent strict requirements.
Xu Jianjun paintings with the meaning of high, intended to elephant outside, so do not too much of the image of the Polish, while the meaning of the love, affection, not unrestrained, and its own deep. Its pen and ink scattered so no delay turbidity, Jane away from the multifarious. No matter flowers and insect birds have a kind of escape, this kind of escape is the inevitable manifestation of the people from the vulgar land. In the face of its paintings, a clumsy interest overflows on paper. Song Jiangkui said "carving wound qi, perfunctory explicit." If the vulgar and not exquisite, is carved out of the past; "Xu Jianjun's creation of the gravity of the direct current, not to seek Yue to cater to people, thus presenting an independent personality, which is very valuable in the present."
