Anton Tscherne: Can you tell us your name?
Interviewee: He Wenbin
Anton Tscherne: Which school did you graduate from?
Interviewee: Contemporary artist, born in Shaanxi province. 1995 graduated from the Art Institute of Suzhou University.
Anton: Can you tell us where your works are published?
Interviewee: "The case of elephant research--He Wenbin" Editor-in-Chief: Peng Jiangxi Fine Arts Publishing house; "Contemporary most academic value and market potential artists-He Wenbin" Jilin University Press; "He Wenbin--business card 2008" Hebei Fine Arts Press.
Published works:
"Chinese oil painting"; "Jiangsu Illustrated"; "Art Expo", "The vision of the first", "the Arts Market", "China's collection", "Chinese painting"; "Suzhou Graphic Design Institute member works"; "The Chinese oil painting market"; Xinmin evening News; Suzhou Daily, Collection Express, "Chinese Painting" Academic Edition, "Art Focus", "Sino-Foreign Cultural exchange" English version, "Kam Rewards", "Today Art"; "Feng Rui"; "Hi Art", "Art Vision", "the most academic value and market potential of contemporary artists collection", "Modern Youth", "Asian Art", "Art impression" and so on.
Magazine interview
"Kam Bao" magazine interview "digital Fashion" interview; "Xinmin weekly" special Report, "Su Shang Wealth Quality" interview, "Shang Life" Art Interview, "Modern Suzhou" interview, "city guide map" interview.
2000 - "Dead color" personal oil painting exhibition (Suzhou Qingyuan Gallery);
2001 - "Festival" Contemporary Art Exhibition (Shanghai Invisible Gallery);
2003 - Exhibition of Chinese Gallery Invitation Exhibition (Shanghai Art Museum);
2004 - "Inheritance. Development" won the third "Suzhou Impression" Design Exhibition Excellence Award (Suzhou Museum);
2006 - He Wenbin, Royiland oil painting Works Two exhibition (Suzhou Art Museum, Wenliang Memorial);
2007 - Suzhou Art Bridge Gallery opening exhibition--He Wenbin exhibition, curator 帕斯卡华 standard;
"Come, stare, lost, to" He Wenbin oil Painting exhibition (Beijing 798 Art District MJ Gallery);
A show "Lai Lost" to "Art Focus" magazine was rated as one of the ten annual Beijing exhibition;
2008 - The works "The Back garden" was selected as Japan's "The 52nd annual New Huai Shu exhibition", Tokyo National Gallery;
2009 - "Dialogue Garden" Sino-American Artists Exchange exhibition (Suzhou Rain Village Art Museum);
"Community, Community" Songzhuang Festival (Songzhuang Eastern Art Center);
"New Sharp vision" contemporary young artists invited to the exhibition Hailongle Art Organization Planning (Suzhou Art Museum);
"China scene, Chongqing post"--contemporary art exhibition curator Wei (Chongqing 501 Contemporary Art Museum);
Visiting scholar of Nanjing Art Institute, engaged in contemporary art research;
2010 - The Chinese and Korean Artists (Wuzhou) international Exchange exhibition;
Beijing Songzhuang Second session of the occasional festival, the implementation of "disorderly elephant" behavior device works, (Songzhuang Museum);
2011 - The exhibition is the opening exhibition of "Surreal Pop"--798 Yuet Art Museum, which is an important academic theme of the famous curator Peng.
The exhibition "Empty Charm" held in Beijing, the domestic 10 well-known critics attended the academic seminar, on "Gaudy art" in-depth discussion;
"Empty Charm" He Wenbin exhibition, curator Xu Jialing (Beijing Art News Weekly Gallery);
"Mobile art-surreal pop" Yuet Art Museum opening exhibition, curator Peng (798 Art District Yuet Art Museum);
"Sensitive zone" the implementation of "disorderly image" behavior art and photo exhibition curator Pulin (Beijing Contemporary Art Museum);
2012 - Selected by the contemporary 30 most academic value and market potential artists, and participate in the Beijing National Art Gallery;
Lost Beauty--oil painting Works exhibition curator Gresen (Suzhou Park Micro Exhibition Gallery);
Sculpture Works exhibition "Art Sanya Artistic season" location: Sanya Yalong Bay;
"Multi-pattern value Watch" contemporary 30 academic value and market potential of the most academic invitation exhibition (Beijing National Painting Art Museum);
Roots--Suzhou Contemporary Art Exhibition (New Museum of Suzhou Art Museum);
Artist's personal booth (Beijing National Convention Center), China International Art Fair
"Reengineering" 2012 Suzhou Contemporary Art Exhibition (Suzhou Rain Village Art Museum);
Jinji Lake Biennale-China Realistic oil painting exhibition (Suzhou Industrial Park Art Gallery);
2013 - By "Modern Youth" magazine as the annual Top ten young artists;
Fade--Oil Painting Landscape series Works exhibition curator Gresen (Suzhou Park Micro Exhibition Gallery);
"New Testament Art" rollout (Wuxi Tang Art Club);
Imagination--Young Artists Program (Beijing Zhonghua Century Altar Art museum);
"Non-intention" Chinese contemporary oil painting famous Works Invitation exhibition (Shenzhen Wen Bo Society);
The 27th Asian International Art Exhibition "Asian Soil: a smile in the United Kingdom" (The Ratchadamnoen Contemporary Art Center, Bangkok, Thailand);
2014 - Aecese Works Exhibition of Chinese artists, co-sponsored by the European-Chinese Association of Educational Exchanges and cooperation and the International Exchange Center of the University of Paris. Paris, Venice, Rome, Florence Art investigation;
Sanya mid-Levels Peninsula China new contemporary Art exhibition (Peninsula Tibetan Art Club);
"Jeungyol" Contemporary Art Exhibition (New Museum of Suzhou Rain Village Art Museum);
First Nanjing International Art Exhibition (Nanjing International Expo Center)
2015 - Garden Cui Dream--He Wenbin exhibition and 2015 Milan World Expo Art Exchange Exhibition preview academic Support Wei (Shanghai Vanke Emerald Park);
Anton Tscherne: Your Life experience and your development?
Interviewee: The 90 's began, artists felt in Suzhou City, the demolition of a large area, the creation of "Dead Color", "Old Town No" series. 2004 suddenly changed the painting wind, began to turn to Suzhou City's attention and experience, in the "Back garden" series of works, he from the perspective of the Outlander interpretation of Suzhou, through the Suzhou Garden and the concept of beautiful women's expression, reflects the value of the void era of the alternative interpretation
Anton Tscherne: Talk about why you're in the business now, what's the story?
Interviewee: Many of the marks that once lingered have been completely erased, some old streets are still coming and going, will disappear forever, the memory of the city is fragmented from now on, in the early 90, the scene of the ancient brick and tile dust all over the sky, deeply engraved in my memory depths, that also must be all love the ancient city of a person heart pain! In just more than 10 years, the millennium of the ancient city of Suzhou was almost transformed into a fashion but lost history and warmth of the cities ...
And I painted the ancient town more and more astringent, oil also gradually faded away the color, even become melancholy and Cang cool, I am nameless in their own this sense of loss, is heavy or sad. Or is the hope in the numbness of the Dajian and demolition of the crazy era, can remind us to recall the pain of modern history! I call this series "Faded memory."
▲ "back garden--she's Gone"
The "Dead Color" series to the landscape, but He Wenbin more let people linger, it is his pen paintings of those Jiangnan women
Anton Tscherne: Please tell us your development situation and development direction?
Interviewee: He Wenbin: "Searching for the lost elegance culture with his works"
"My artistic talent should be to inherit my mother," He Wenbin said, his mother is a folk paper-cut artist, a pair of hands, a pair of scissors, do not need any rendering, the art creation originally comes from the most simple, the most rugged, the most grounded gas life, and he can embark on this art road is also experienced countless twists and turns, "almost death" in the exam-oriented education, fortunately, the way to meet many noble, so I can realize their ideals. ”
Came to Suzhou University to study the He Wenbin, has been carefully experience the city of Suzhou scenery, things and people, from the university to work, the entire 90 's old City of Suzhou transformation, high-rise rising and memory of the ancient town of the small bridge of the broken, dream of Jiangnan Water and hometown of the Loess plateau of Chaos appeared, let him increasingly want to work to express the memories of the past.
The "Dead Color" series to the landscape, but He Wenbin more let people linger, it is his paintings of those painting Jiangnan women's "gaudy series", "If the landscape can express emotions, then the characters can show more", this series of paintings, the theme is also Gray, but in the performance, He Wenbin but a large number of red, yellow, blue and other strong color elements, color contrast, so that the audience deeply appreciate the picture expressed in the feeling is very unusual. Or borrow "a dream of Red mansions" in the sentence "not a word, make merry" to express more intuitive, the painter quietly depict the garden and the woman, the cold breath is not deliberately for it, but there is a direct audience inside the power.
"I love the city and culture at that time, and I want to be able to use my work to pursue the ruined elegance," from the "backyard", "the show" to the "courtyard," and the woman in the work is full of charm. Slightly sad face, dressed in gaudy dress, and fragmented traditional cultural symbols-gardens, Kun Opera, fan, Taihu, Archway, wall together, seemingly mixed style, extreme contrast, but revealed his memories of the past complex emotions
Anton Tscherne: Your Life experience and your development?
Interviewee: The 90 's began, artists felt in Suzhou City, the demolition of a large area, the creation of "Dead Color", "Old Town No" series. 2004 suddenly changed the painting wind, began to turn to Suzhou City's attention and experience, in the "Back garden" series of works, he from the perspective of the Outlander interpretation of Suzhou, through the Suzhou Garden and the concept of beautiful women's expression, reflects the value of the void era of the alternative interpretation
Anton Tscherne: Talk about why you're in the business now, what's the story?
Interviewee: Many of the marks that once lingered have been completely erased, some old streets are still coming and going, will disappear forever, the memory of the city is fragmented from now on, in the early 90, the scene of the ancient brick and tile dust all over the sky, deeply engraved in my memory depths, that also must be all love the ancient city of a person heart pain! In just more than 10 years, the millennium of the ancient city of Suzhou was almost transformed into a fashion but lost history and warmth of the cities ...
And I painted the ancient town more and more astringent, oil also gradually faded away the color, even become melancholy and Cang cool, I am nameless in their own this sense of loss, is heavy or sad. Or is the hope in the numbness of the Dajian and demolition of the crazy era, can remind us to recall the pain of modern history! I call this series "Faded memory."
▲ "back garden--she's Gone"
The "Dead Color" series to the landscape, but He Wenbin more let people linger, it is his pen paintings of those Jiangnan women
Anton Tscherne: Please tell us your development situation and development direction?
Interviewee: He Wenbin: "Searching for the lost elegance culture with his works"
"My artistic talent should be to inherit my mother," He Wenbin said, his mother is a folk paper-cut artist, a pair of hands, a pair of scissors, do not need any rendering, the art creation originally comes from the most simple, the most rugged, the most grounded gas life, and he can embark on this art road is also experienced countless twists and turns, "almost death" in the exam-oriented education, fortunately, the way to meet many noble, so I can realize their ideals. ”
Came to Suzhou University to study the He Wenbin, has been carefully experience the city of Suzhou scenery, things and people, from the university to work, the entire 90 's old City of Suzhou transformation, high-rise rising and memory of the ancient town of the small bridge of the broken, dream of Jiangnan Water and hometown of the Loess plateau of Chaos appeared, let him increasingly want to work to express the memories of the past.
The "Dead Color" series to the landscape, but He Wenbin more let people linger, it is his paintings of those painting Jiangnan women's "gaudy series", "If the landscape can express emotions, then the characters can show more", this series of paintings, the theme is also Gray, but in the performance, He Wenbin but a large number of red, yellow, blue and other strong color elements, color contrast, so that the audience deeply appreciate the picture expressed in the feeling is very unusual. Or borrow "a dream of Red mansions" in the sentence "not a word, make merry" to express more intuitive, the painter quietly depict the garden and the woman, the cold breath is not deliberately for it, but there is a direct audience inside the power.
"I love the city and culture at that time, and I want to be able to use my work to pursue the ruined elegance," from the "backyard", "the show" to the "courtyard," and the woman in the work is full of charm. Slightly sad face, dressed in gaudy dress, and fragmented traditional cultural symbols-gardens, Kun Opera, fan, Taihu, Archway, wall together, seemingly mixed style, extreme contrast, but revealed his memories of the past complex emotions
Anton Tscherne: What are your competitive advantages in the market for your work?
Interviewee: My work has undergone several stages of development, from the earliest fascination with oil painting to a variety of subjects of the experiment, to the formation of a personal idea of the theme of the creation, and clearly feel the process of their own art growth, but also in the concept of constantly denying their own process. I think that painting should not only be presented in a style of painting, it should be a reflection of the spirit of an era, whether it is good times or bad times. It can be said that the most influence on my consciousness is the Chinese urbanization movement in the 90 's imperceptibly also affects my creation, nearly three years I successively in Beijing, Suzhou has done three theme exhibition: "The Empty Charm", "The Lost Beauty" and "The Dead Color", the contrast between the two main series of the "Back garden" and the "dead color" surface is so great that it almost makes you think of two of artists. Works, I have a role to play in the creation of these two themes, one of which is the "surreal pop" style of fashion. One is a more painting of the pure black and white expressionism, these two series complement each other fully express me from the visual to the emotional and subconscious psychological feelings. In the meantime, I also carried out a long gestation of the behavior device "chaotic image", to carry out new artistic expression, I think this is the contemporary artist presents a feature, showing the A as a person's individual spiritual emotional richness. As an open and independent non-profit art space, Yun-Art Center creates a new life aesthetics space in Shanghai with its frontier vision and internationalized platform. Exhibition hall area of 3500 square meters, by the famous French architect Margo Renisio design, built-in constant temperature and humidity system, for the exhibits tailored to the exclusive display field.
Anton Tscherne: If someone wants to know more about you and your company, how can I get in touch with you?
Interview: E-mail: wenbin31@126. com
